FEAST Series, 1994
During the 3 months summer of 1994, I travelled in France across the Alpes-Maritimes department and followed the path of the different feasts organised by the cities and villages of the department during that season. It’s a mix between traditional feasts and entertainment for tourists.
(series of 31 cibachromes, 25 x 30 cm, edition 3)
NEWS
ITEMS Series, 1994/95
During the years 94/95, he was regularly selecting news items in the local newspaper (in Nice), in order to take a photograph of the place where the event had occured, as "an empty scene of the crime". The text of each news item is silkscreen printed on foot of each photo.
(series of 51 cibachromes, ca. 90 x 110 cm, edition 3)
From 1996, he initiated a series of travels to various
countries where hypermediatised events where taking place. He went to
the International meeting organized by Sub-commandante Marcos in Chiapas,
he joined an organized tour for a concert of Johnny Halliday to Las Vegas,
was in Hong Kong for the Handover to China, in Cuba for the official funerals
of Che Guevara and in Washington D.C. for a three days long concert in
RFK Stadium.
He attended all these events without any press card or specific accreditation,
as a basic visitor. All photographs are shot with a 4x5 inches folding
camera (more often used in studio photography). The photos are purposely
uncropped (full prints).
Series
ENCUENTRO, CHIAPAS 1996
From
27 July to 3 August 1996 the mountain region in Southeast Maxico was home
to the « Intergalactical Meeting against Neo-liberalism and for
Humanity ». Summoned by the Zapatista Indians through the voice
of Subcommandante Marcos, some four to five thousand people from all over
the world headed towards Chiapas Mountain. Forums were held in the five
spacially built villages (Oventic, La Garrucha, Morelia, Francisco Gomez,
La Realidad), followed by a closing full assembly in la Realidad, the
Zapatista army base camp.
(series of 16 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3)
Series
DESTINATION VEGAS, 1996
On 24 November 1996, veteran French rock rocker Johnny Hallyday gave a
unique performance at the Aladin Hotel Casino in Las Vegas. What made
it unasual was that the audience was comprised of French fans who had
travelled all the way to hear their idol. Five thousand of them took the
special chartered planes for a three-day lightning trip to the capital
of Nevada.
(series of 5 Framed Ilfochrome / aluminium, 125 x 100 cm, edition 3)
CORSE-MATIN,
1997
"From
15 May to 15 June 1997, I worked as a photojournalist for the daily newspaper Corse-Matin : 20 of my photographs were published. I did the same thing again in 1999 with the Brazilian national daily, Jornal do
Brasil : 9 photographs were published between 9 and 24 November."
(ensemble indissociable de 20 photographies couleur et noir et blanc,
dimensions variables (toutes: hauteur 45,5 cm), tirage unique, Collection
FRAC Corse)
Reproductions dans le catalogue "Zeitgenössische Fotokunst aus
Frankreich", Neuer Berliner Kunstverein, 1998.
Series
HANDOVER, 1997
On
1 July 1997 Hog Kong was retroceded to China. To accompany this event,
and in addition to the official celebrations involving the English and
Chinese delegations, festive events were held for the population all over
the territory, climaxing in the firework displays of 30 June and 1 July.
The retrocession celebrations lasted six days, from 28 June to 3 July.
(series of 19 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3)
Series
HOMENAJE, 1997
The
thirtieth anniversary of the death of Ernesto Guevara was marked by his
official interment in Cuba. From 12 to 17 October his remains, alongs
with those of six other guerilleros who died with him in Bolivia, were
presented to the Cuban people for a final homage. The coffins were placed
in the Jose Marti mausoleum, Havana. The Cubans were able to watch over
them for two days and two nights before the funeral procession made its
way along the road to Santa Clara, the first town to be freed by Castro
and his troop, for a final popular homage and a military ceremony. That
is where they lie today.
(series of 6 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3)
Series
FREE TIBET, 1998
The
Tibatan Freedom Concert was held on Saturday 13 and Sunday 14 June 1998,
in the Robert F. Kennedy Stadium, Washington D.C with 120,000 spectators
and fifty of the most famous groups in the USA. This was the third concert
organised by Adam Yauch (Beastie
Boys ) and the Milarepa
Fund in support of the people of Tibet, and the most important protest
concert since Live Aid in 1985. Monday 15 was decreed a National Day of
Action and there was a demonstration with members of the Senate and Congress,
showbiz personalities and representatives of the Tibetan government in
exile on the lawn outside the Capitol.Washington, for the Tibet Freedom
Concert '98, June 13-15, 98
(series of 7 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3)
Series
PARC DE SCEAUX, 1998
This
series was commissionned by the CAUE, inviting several photographers with
the given subject of the public park of Sceaux. Serralongue focused on
the various leisure activities held in the park (playing soccer, jogging,
exercising karaté or gymnastics, getting married, carving I Love
You in trunks or stones...), and classified these by way of large contact
sheets.
(series of 10 color photographs under plexiglas, 48,5 x 39;5 cm)
Series
SOFT DREAMS (ARCO 99), 1999
This
series has been commissionned by ARCO (Madrid art fair). Serralongue used
different filters that generate blurs, light diffractions and various
special effects.
(series of 8 cibachromes 18 x 23 cm, framed 32 x 37 cm)
JORNAL
DO BRASIL
"From
15 May to 15 June 1997, I worked as a photojournalist for the daily newspaper Corse-Matin : 20 of my photographs were published. I did the same thing again in 1999 with the Brazilian national daily, Jornal do
Brasil : 9 photographs were published between 9 and 24 November."
Series
SUNDAY AFTERNOON, 1999-2000
The
series Sunday Afternoon 1999 was developed while he was working on Journal
do Brasil. After discovering some portrait photographers working in a
parc in Rio, he decided to dedicate his day off - sunday - to this buisness.
This series is then determined of the fact that he did not track down
the scenery nor the people but in fact the scenery was given (his regular
spot in a parc from where he did his work) and the people was finding
him.
(57 photographs black and white 32 x 25 cm.)
Series
FIREWORKS, SÉRANDON, 14 juillet 2000
"Fireworks,
Sérandon" developed as a result of his contribution to a project
that consisted in covering the gigantic picnic held cross France on the
14th of july 2000. He was together with 34 other artist asked to take
pictures of the picnic that should result in a book on the subject done
by artists. On this occasion he photographed the fireworks that followed
the picnic and closed the whole event of the 14th of july. (the national
day of France) This series is an independent series and very different
from his contribution to the book.
(10 cibachromes 1/3: 129,5 x 161, 5cm
- 2/3: 41,5 x 51,5 cm).
Series
EXPO 2000, 2000
"The
most recent world's fair was held in Hannover in 2000. I attended the
event on the Fondation de France's "new commissioners" programme.
The photographs were to be published in a magazine, In extenso,
and it was the journalists there who originated the assignment."
(15 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Series
"Manifestation du collectif de sans papiers de la Maison des Ensembles,
place du Châtelet, Paris, (date)" 2001-...
"Demonstrations
by the Maison des Ensembles group of immigrants who are denied proper
legal recognition began in 1999. Since then, every Thursday and Saturday
from 17.00 to 19.00, they march around the fountain of the Place du Châtelet,
with a banner calling for regularisation of all immigrants in their position.
I heard about this demonstration only recently. The first photo is dated
8 September 2001. It is the starting point of a series that I plan to
continue over a year, taking one photograph at each demo. Paradoxically,
the best thing would be for this series to be cut short, since the end
of the demonstration could be taken to signify definitive regularisation.
As on 27 July 2002, the series comprises 34 photographs."
(Framed
Ilfochrome / aluminium, 32 x 39 cm).
Series
CORÉE, 2001
"Park
Jun-kyu and Hwang Yi-min are union men. Yu Man-hyeong was an assembly
line worker at a Daewoo Motors plant. They came to France in February
2001 in order to extradite Kim Woochong, the former boss of Deawoo, who
had been on the run since the Group went bankrupt. When I went to Seoul
in November 2001 to do a new piece of work, I met up with the three of
them and they agreed to pose for a photo. Their portrait forms the central
element in this new series".
(Framed Ilfochrome / aluminium, 129
x 160 cm, edition 3).
"1er
décembre 1982 - 5 décembre 2001 (Paris / Séoul)",
2001
33
photographies et texte, impression jet d'encre sur papier archive Epson,
61 x 730 cm
Series
RISK ASSESSMENT STRATEGIES, 2002
During
a week I took a class entitled Hostile Environment and First Aid proposed
by the firm Centurion. Founded in 1993 Centurion’s aim is to reduce
the risk taken by journalists when they have to work in dangerous zones
(war, natural catastrophe). Up to now 7000 journalists have taken this
class.
(25 Framed Ilfochrome / aluminium, 53 x 65 cm).
Series
EARTH SUMMIT, 2002
The Word Summit for Sustainable Developmeent will take place in Johannesburg from April 26 to september 4. 180 head of states will gather to think of a possible balance between the world economic development and the protection of the ecological ressources. It is going to be the bigger international conference ever organized on African continent. More than 65 000 people are expected.
(20 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Series
SMSI, Genève, 2003
More than 16.000 representatives of the civil society and the private sector from 176 countries met from 10 to 12 December 2003 in Geneva for the first phase of the World Summit on the Information Society. The goal of the summit was double. On the one hand and according to the first and ambitious paragraph of the “Final Report”, the aim is to start building from now on a new type of society, a “development-oriented Information Society, where everyone can create, access, utilize and share information and knowledge, enabling individuals, communities and peoples to achieve their full potential in (…) improving their quality of life, premised on the purposes and principles of the Charter of the United Nations and respecting fully and upholding the Universal Declaration of Human Rights”.On the other hand, the “Plan of action” strives to evaluate and follow-up progress in bridging the digital divide between rich and poor countries, and to ensure that until 2015 “more than half the world’s inhabitants have access to Information and Communication Technologies within their reach”.
(15 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Series
WSF Mumbai 2004, 2004
The fourth World Social Forum took place in Mumbai from 16 to 21 st January 2004. Slightly more oriented towards Asian countries than precedent times, some 150.000 people came to the economical capital of India to declare that "another world is possible". Discussions did not only highlight the drifts of global economics and of World Trade Organization. The 2.500 conferences, seminars, and workshops gave also voice to social problems of India: religious intolerance, exclusion due to caste system and the woman's situation.
The activist Maude Barlow, president of the Canadian Council and member of the network "Our world is not on sale" avowed that "for the first time the forum did also touch the poorest strata of the population on earth". Indeed, more than 80% of the participants were Indians and a majority came from the countryside or underprivileged urban neighbourhoods.
In Porto Alegre (Brazil), the public was mostly composed by middle and upper social classes, and among them, many officials and professors. "Unlike precedent times, this forum is a place for social expression, not for intellectualism. It offers a platform for the people, some of them never had before the opportunity to express themselves in such a conspicuous way" , said the leader of Confédération paysanne, José Bové.
This success is also threatening the organisers and founders of WSF for they think that a limit has been reached, beyond which the "Movement of the Movements" might become unintelligible and unable to formulate concrete proposals.
(17 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Spillov'ers
Additional inquiry about the World Summit on the Information Society, which was held in Geneva from December 10 to 12, 2003, with photographs and texts taken from different protagonists defending or criticizing the summit.
Leporello, Edition CNEAI
/ Air de Paris, 2004. 26 x 19 cm fermé, 26 x 380 cm déplié.
Tirage 300 exemplaires.
Series
Groupes de travail, 2004
Groupes
de travail rassemble sous ce titre des photographies faites en Chine qui
reprennent les codes convenus de la photographie de groupe qui montre
efficacement l’appartenance d’individus à une communauté,
à une entreprise et bien sûr à une famille.
Les personnes photographiées ont dû arrêter leur activité
et venir s’immobiliser face à l’appareil photographique.
On ressent chez certains une gêne et en même temps un sentiment
d’amusement et de fierté.
(7 Ilfochrome
40 x 50 cm, passe-partout 64 x 74 cm, cadre bois et verre 67 x 77 cm,
edition 3).
Series SMSI, Tunis, 2005
The second phase the World Summit on the Information Society was held in Tunis from the 16 th to the 18 th of November, 2005. Representatives from 170 participating countries reaffirmed, from the first article of the Engagement of Tunis adopted at the end of the Summit, their "unreserved support of the Declaration of Principles and the Plan of Action instituted in the first phase of the SMSI in Geneva, December 2003." More than anything, the text establishes the foundation of a reform for the "governance" of the Internet, guiding it towards a more international control. In order to do this, a new institution, the Forum for the governance of the Internet (Internet Governance Forum, IGF) was founded.
Not only will world governments participate in the IGF, but representatives from the private sector as well, from civil society and national organizations.
At the same time, journalists and non-governmental organizations bore the brunt of certain measures implemented by the Tunisian government concerning the liberty of the press and human rights, before and during the Summit: the intimidation of certain delegates, acts of violence committed on journalists, breaking up of Civil Society meetings by president Ben Ali's thugs, the censuring of press conferences and speeches (notably that of the President of the Helvetic Conferderation during opening ceremonies). Hence the question posed by numerous observers: why this Summit in Tunisia?
(13 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Series Luna Park Bilbao, 2005
...
(8 Ilfochrome Classic, passe-partout, cadre et verre, 67 x 77 cm (image 40 x 50 cm)).
Series La Otra, Mexico, 2006
January 1 st 2006, the subcomandante Marcos, the charismatic spokesperson of the Zapatista Army of National Liberation ( Ejército Zapatista de Liberación Nacional , EZLN), left his South-Eastern Mexican enclave in order to initiate a year-long political campaign throughout the entire country. Although this, "the Other Campaign" took place at the same time as that of the official 2006 presidential election, the goal was significantly different.
The stakes for the Zapatista guerilla were double: to strategically get the media's attention via a particular event: the Delegado Zero left Chiapas on a motorcycle just like Ernesto Guevara had mounted his to cross South America.
However, the reason for this move was also, and more importantly, to seek allies at a time when they felt the impetus of their struggle waning due to a too marked isolation: "This is what we think and feel in our hearts, and which forces us to say that we have come to the threshold of something and that it is possible that we have been losing everything we have. (...) Well, the time has once again come to take risks. (...) And perhaps only through being linked with other social sectors, which lack the same things as us, will it become possible to obtain what we both need and deserve. A new step forward in the indigenous struggle is only possible if the indigenous peoples unite with the farmers, students, professors and blue-color workers, which is to say, workers in the cities and in the fields." This is what could be read in the press statement of the EZLN from June on in 2005.
(13 Framed Ilfochrome / aluminium, circa 128 x 160 cm, edition 3).
Series Calais, 2006-2007
On 5 November 2002 the refugee camp at Sangatte, in France's Pas-de-Calais département, was closed by Nicolas Sarkozy, Minister of the Interior, with the French and British governments hailing the event as a great victory in the fight against illegal immigration and the crime it was said to be generating. First opened in September 1999 and run by the Red Cross, the centre - in what was originally a depot for the machines used to dig the Channel Tunnel - housed up to 1200 migrants at a time, mainly Afghans, Kosovars, Iraqis and Iranians in search of a passage to England. Neither the closure of the camp or the intensified police repression that followed did anything to stem the flow of migrants: Calais remains the French city nearest to England and its port's capacity for trucks in transit is constantly being increased.
Local community associations helping the migrants estimate that there are currently some 400-600 people living on wastelands and in the woods around the city.
Begun in July 2006, the series is so far made up of 15 photographs and a slide projection titled Risky Lines .
Series Mexico City, 2007
"Bruno Serralongue is an artist who employs the techniques of photojournalism to expose the conditions of contemporary humanity. Instead of focusing on obvious, newsworthy spectacles as a typical journalist might his camera looks around the corner at lesser acknowledged phenomena. Recently, Serralongue's photographs have looked at how people living in the developing world have been impacted by processes of globalization. In so doing he has fulfilled the role of the news photographer but by focusing on neglected areas and aspects he broadens the discussion revealing distortions and gaps in our perception of reality. For Tomorrow Serralonque presents his new work: Mexico City(2007). This piece is a collection of 9 photographs that the artist took while he was living in the Mexican capital (only 7 are shown in this exhibition). Depicting the intersection of human settlement and the natural landscape these photographs show Mexico City's ever sprawling expanse in a manner that causes viewers to wonderlworry what the limit might be while shedding light on the everyday needs and conditions of human community." txt cat Tomorrow, ed.Samuso, 2007, pp.140-143
(9 framed ilfochrome/aluminium, 76.5 x 60 x 5 cm)