Fabian MARTI
The Doubt, Hey Now it’s the Sun § The Rise, 2011
helioetching on 250 g Hannemühle, MDF frame, mat
plate 15 x 30 cm, paper 26 x 40 cm, edition 1/12 + 3 AP

Note 13 - The woman he kills in the castle where he goes with his father is not his mother.

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Jay CHUNG & Q TAKEKI MAEDA
Untitled, 2011
framed lithograph
53,5 x 36,5 cm, edition 1/12 + 3 AP

Note 34 - At the Sénaport residence are two rooms, one of which contains twelve boys, the other twelve girls. The former have not been taken from the class of poor people, but the latter have. In one room is a scaffold and in the other a cage.

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Anne Laure SACRISTE
Suivez bien exactement tous les souvenirs des feuilles grises, 2011
copper plates burnt by acid, glass
50 x 65,5 x 7 cm

Note 97 - Follow exactly all the reminders on the grey pages.

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Virginia OVERTON
Untitled (mirror), 2011
lightbox construction, mixed media
90,5 x 60 x 15,7 cm

Note 98- I think I stopped at the story of the woman in the chateau de Charmeille. It is this story that, with some cutting and adjusting, will form Roxane’s story°.
°In the margin : The whole of this forms the history of Madame de Valrose.

Virginia OVERTON
Untitled, 2011
helioetching on 250 g BFK Rives paper
edition 1/12 + 3 AP

Note 20 - If Sophie is treacherous, how could she have written the letters we see at the end of the second volume ?°
°In the margin : Not yet explained.

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Josef STRAU
Days at Florence – The Lamp as a Printer, 2011
framed photograph, modified copper lamp and lamp shade, xerox stack, variable dimensions

Note 44 – Note. You must divide the work up by chapters.

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Pierre KLOSSOWSKI
Les Désespérés du Directoire / Esquisse pour le petit Rose, 1964 / 1974
pencil on paper, recto-verso, 73 x 106,5 cm, frame 104 x 138 cm

Note 55 – It should be noted that sometimes the short linking extracts from major scenes are placed at the end of volumes, sometimes at the beginning This must be corrected so that they are always at the beginning.

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Benjamin SWAIM
Salammbô Schreber n°10, 2008-2011
oil paint on canvas, 195 x 100 cm

Note 2 – The setting changes to a grove of myrtles and roses.

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Monica MAJOLI
Amy used twice, 2011
aquatint and etching on BFK Rives 250 g, 66 x 50 cm, frame 71 x 54,5 cm
edition 10 + 5 EA

Amy used twice (black), 2011
aquatint and etching on BFK Rives 250 g, 66 x 50 cm, frame 71 x 54,5 cm
edition 10 + 5 EA

Note 93 - The flame under the cunt is used two or three times: it must be cut out, and left only at the château de Colli.